Jud Yalkut
New York City, New York

Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.

Top 10 collaborators

Roles

Crew

Light Display: Color (2002)
Director
Video Commune (Beatles From Beginning to End) (1992)
Director
Self Portrait 2 (1982)
Director
Suite 212 (1974)
Co-Director
Slop Print (1973)
Director
China Cat Sunflower (1973)
Director
26'1.1499" For A String Player (1973)
Director
The Whirling Ecstasy (1973)
Director
4th Annual New York Avant Garde Festival (1972)
Director
Cinema Metaphysique No. 1-5 (1972)
Director
Television as a Creative Medium (1972)
Director
Astrolabe of God (1972)
Director
TV Cello Premiere (1971)
Director
Aquarian Rushes (1970)
Director | Editor | Cinematography
7th Annual New York Avant Garde Festival (1969)
Director
Some Manipulations (1969)
Director
Beatles Electroniques (1969)
Director
Seminar (1969)
Director
Clarence (1968)
Director
Exprmntl 1967 (1968)
Director
Early Color TV Manipulations (1968)
Director
Planes (1968)
Director
Opera Sextronique (1967)
Director
Missa of Zen (1967)
Director
Electronic Moon No. 2 (1966)
Director
Waiting for Commercials (1966)
Director
Turn Turn Turn (1966)
Director
Us Down by the Riverside (1966)
Director
P+A-I(k) (1966)
Director
D.M.T. (1966)
Director
Electronic Fables (1965)
Director
GHOST REV (1963)
Director